Sample from Guide 7
Here is a
sample of some tips that appear in Guide 7 in Perfect Pronunciation to
Trouble Shoot a typical pronunciation problem with the ‘sh’ sound. In this
case, when the speaker says the word "sheep" it sounds like "ship". These
tips aim to correct this error. © All rights reserved
Guide 7
/S/
(shoe)
and /Z/
(measure)
Trouble Shooting
(7.4) Poor high front vowels after /S/
as in ‘sheep’ and ‘ship’
To make a good /S-Z/
you need to round your lips FORWARD freely and groove your tongue into a deep
gutter. The problem is that the high front vowels /i/
(sheep) and /I/
(ship) call for a SIDEWAYS lip movement and a flat, high tongue near the
front of your mouth. Native speakers manage to get a fine balance between the
requirements of /S-Z/
and /i-I/,
thereby ending up with a good compromise between their conflicting needs. But,
if your high front vowels sound wrong after /S-Z/
it means you are focusing too much on the FORWARD, grooved /S-Z/
posture and not enough on the SIDEWAYS /i-I/
vowel posture.
TRY
Use a mirror to watch your lips. Spread your lips a little, that is, just
enough to feel a definite SIDEWAYS movement. Now, holding this position,
produce a /S/ sound several times on its own. It will sound whispered
as you are not adding any vowel on the end just yet.
sh sh sh sh sh
Notice how your spread lips seem to force you to make a much shallower gutter
with your tongue than is usual. This is as it should be. Try and maintain
the necessary rushing sound even though it may sound a little ‘thinner’ and
higher in pitch.
Next, relax your lip spread slightly and try again. Listen to how the
rushing friction sound changes to a deeper quality. Now spread your lips out
slightly once again and make a /S/, trying not to lose the distinct /S/ quality. The friction must not sound like a fuzzy hiss
as in an /s/ (sun) sound.
Now
practise adding one of the two high front vowels after the
/S/
sound (the /Z/
sound does not occur in these sound combinations except in the odd word such as
regime).
Begin with the slightly lower vowel /I/
as this should be a little easier than /i/.
In every case, set up your lip posture into a mildly spread position before
you start to say the word. Once you start, focus on getting the vowel
quality right and not the /S/.
But don’t be afraid to experiment to get the right balance.
/SI/
ship
shift
shiver
shilling
washing
/Si/
sheet
sheen
shield
sheath
machine
Once you have mastered these sound
combinations using this approach, all you need do is think of the ‘ee’
vowel quality as you go into a word within spontaneous speech.
There are two further techniques you
can try. Use the one that works best for you.
Hitch-a-ride
This
uses real words to help you set your mouth up in the right position (explained
further in the book). You borrow the /i/
sound from its ‘difficult’ position after /S/
and sneak it into the ‘easy’ initial word position. This technique works by
fooling your brain into doing something it thinks is easy. It is therefore
important to think the /S/
is at the end of the first word and that /i/
or /I/
is at the beginning of the next one. In practice, you must say the entire
utterance in one continuous flow of sound. Do not hesitate or break up the
words in any way.
TRY
Learn to say
the words correctly using the Step One column. Once you have mastered
this, say the same utterances in the same manner reading from the Step Two
column. Check you don’t ‘lose’ your good pronunciation of /i/ or /I/
when you move
to using the Step Two version of the words. Think /i/
or /I/ before you start the word.
Step
One Step Two
/i/
leesh-eep leash sheep
keesh-eet
quiche sheet
/I/
dish-ip
dish ship
wish-ingle wish shingle
parrish-immer parrish shimmer
We wash sheets on Mondays.
Don’t push sheep through
the gate.
I wish she
would come home.
Larger-than-life
You may be so busy concentrating
on the gutter tongue and forward lips needed for /S/
and /Z/,
you are not prepared for the change in tongue and lip direction that the vowel
that follows requires. The larger-than-life approach gets you to focus
on the /i/
(or /I/)
in a word and to forget all the other sounds. You must feel as though the /i/
or /I/
is in the foreground of your thoughts and the rest of the word is in the
background. You are aware the other bits are there but you leave them to take
care of themselves. (This technique is explained further in the book).
TRY
Say the /i/
sound
loudly on its own followed straight away by the whole word. Make both ‘
i
’
sounds equally loud. Make all other sounds in the word soft. Listen only
to the ‘
i
’
sounds
and try to make both attempts sound exactly the same.
i
S
i
t (sheet)
i
S
i
n (sheen)
i
S
i
p
I S (sheepish)
Finally, say the same words again
using equal loudness for all the sounds. Don’t forget to hold onto the slightly
SIDEWAYS feel to your lips as you go into each word.
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